In 1982 Wim Wenders, while attending the Cannes film festival gathered other attending directors into room 666 of the Hotel Martinez. The likes of Jean-Luc Godard, Werner Herzog and Steven Spielberg, among many others, are invited into room 666 of The Hotel Martinez to offer their opinions on the debate of film versus television and the decline of cinema. Curiosamente, o questionamento de Wenders e a reflexão de seus entrevistados permanecem consideravelmente atuais. To achieve as frank, genuine, and unadulterated answers as possible, he used the same exact camera and room setup for each session. Sadly, cinema is a dying form. Everyone had to talk, alone in this room and in front of a camera, about the future of cinema. cannesfilmfestival. More than anything, Room 666 is a fascinating time capsule, taking us back to 1982, which was apparently a time of uncertainty regarding the future of cinema. werner herzog
"is cinema a language about to get lost, an art about to die? Room 666. Next to them, a television set broadcasted images, without sound.
Location: Cannes, Room 666 at the Hotel Martinez. As I'm sure he was aware when asking, there can be no concrete answer to Wenders' question about the future of cinema, as each answer proves how different and individual the importance of cinema is to each director. In the room was a 16mm camera, a reel of film, and set of questions. Spielberg's section is so misguided it's almost funny. The fear is perhaps similar to a singer fearing he may lose his voice. Sort by: Kabir Eduardo's rating of the film Room 666. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply.
Spielberg, Godard, Herzog, & More Offer Cinematic Wisdom in Wim Wender's 1982 'Room 666' 6 years ago by V Renée. It is also from him that Wenders kept the longest sequence, thirteen minutes out of a total of forty-five. some films are not on tmdb, some may have been mismatched or simply not found when importing into…, ***This list only applies to what's listed on OpenCulture***. Jean-Luc Godard Paul Morrissey Mike De Leon Monte Hellman Romain Goupil Susan Seidelman Noël Simsolo Rainer Werner Fassbinder Werner Herzog ... which were then edited together by Wenders and released as Room 666 in 1982. herzog
If you could get a large group of some of cinema's greatest directors in one room, what would you ask them? Todos los directores que salen pronosticaron el futuro del cine 40 años antes de que pasara, magnífico. Un elenco di…, Jack Christal-Gattanella 3,714 films 521 18 Edit, UPDATE: I can't delete more titles (it's actually a limit set by Letterboxd). Genres. Room 666 is a 1982 documentary film directed by German film director Wim Wenders. Room 666. A small series of enterviews asking prominent director about the future of cinema, really enjoyed everyone answers, Antonioni and Herzog being the most accurate, of course, and enterteining. Cast. Interestingly each director is positioned in front of a television, which is left on throughout the interview. as noel simsolo notes. “Room 666” (which sounds a lot more terrifying than it is) chronicles the interviews Wenders conducted with 15 directors during the festival. Room 666 (French: Chambre 666) is a 1982 documentary film directed by German film director Wim Wenders. 1982 In this unusual documentary based on a series of identical questions addressed to world-famous directors such as Werner Herzog, Steven Spielberg, and Jean-Luc Godard… Featuring.
© Letterboxd Limited. In 1982, German filmmaker Wim Wenders set up a camera at the Cannes Film Festival and asked a bunch of heavy questions of a collection of cinema’s finest. The idea behind Wim Wenders’ documentary Room 666 is a simple one, both in its concept and execution. A ‘black hole’ was opening in film history so to say. advice. Room 666 at the Hotel Martinez. Report this film. - werner herzog. Jean-Luc Godard, Director: Vivre sa vie: Film en douze tableaux.
Room 666 is such a readymade example of cinematic self-analysis that it’s remarkable that more documentarians haven’t paid homage to it.One set of filmmakers currently accepting the challenge are Jeff Reichert, Damon Smith and Eric Hynes, who are premiering their Room H.264, Brooklyn, NY 2016 alongside a screening of the Wenders’ film tonight at the Museum of the Moving Image as … Film details. Very interesting to hear different perspectives in response to the question 'what is the future of cinema?' Cast. ‘Chambre 666’ Ya en los años 60 algunos directores estaban abrumados por la cantidad de películas que estaban saliendo al mercado, y que las ideas tarde o temprano se iban a acabar. This will create an email alert. Directed by Wim Wenders, During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema? At the Cannes Festival of May 1982, Wenders set up a static camera in an empty hotel room for a number of directors to come in and give their thoughts, alone to the camera, on the future of cinema. His documentary, Room 666, gave each director one 16mm reel to answer the question, and featured the likes of Jean-Luc Godard, Rainer Werner Fassbinder, and Michelangelo Antonioni. So much has changed from 1982, would be very interesting to see another discussion with the exact same questions for the new generation of directors. Där finns filmer från…. history. 2 notes. The resulting film, Room 666 features Steven Spielberg, Monte Hellman, Michaelanglo Antonioni, Paul Morrisey and others pontificating on the future of cinema. Video / VHS is not really the threat they ’re talking about. Given the question if cinema is a dying artform, it’s bound to have prentetious answers, but boy how some of them were wrong. Chambre 666 (sh. Esto de que el cine va a morir, se ve que viene desde hace rato. In the room was a 16mm camera, a reel of film, and set of questions. wim wenders
I invited them all to the only available room in the whole town. Much of what is said is pretty interesing. Godard, Fassbinder, Spielberg, Antonioni and other famous directors answer the question: "Is cinema a language about to get lost, an art about to die?" And yes, some of these stretch the definition of "documentary" quite…, Here we go! Godard begins by going through the questionnaire he has to answer. Agnès Godard-Wikipedia. ... Agnès Godard . was as shocking then as it now. Zvanični veb-sajt directors. Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. ", (almost) every title from worldscinema.org. Film data from TMDb. ️Cannes You Feel It: The Ultimate, Most Exhaustive & Accurate List of Films That Have Screened at the Cannes Film Festival Over the Years, Lista av alla tillgängliga filmer på Cineasterna. "i think i'd better take my shoes off first. Wim Wenders assembles an impressive array of his peers - leading film directors from around the world, locks them in a hotel room alone with a camera and poses the question of what they think the future of cinema is. Wim Wenders. A massive list of free, legal films available online! Jean-Luc Godard Paul Morrissey Mike de Leon Monte Hellman Romain Goupil Susan Seidelman Noël Simsolo Rainer Werner Fassbinder Werner Herzog Robert Kramer Ana Carolina Maroun Bagdadi Steven Spielberg Michelangelo Antonioni Wim Wenders Yılmaz Güney. room 666
rainerwernerfassbinder. Godard, Fassbinder, Spielberg, Antonioni and other famous directors answer the question: "Is cinema a language about to get lost, an art about to … documentary. Steven Spielberg. however, television isn't any more a threat to cinema now as it was 40 years ago. Spielberg seems sublime in his assessment of the day and it’s questions of impeding doom. I found this point of view the most interesting as Güney himself was at odds with his government for his portrayal of Kurdish culture. Antonioni spoke of his fears that cinema is dying as an art form, whereas Spielberg emphasised that he was not concerned for the future of cinema, looking at it from an economic standpoint, he foresaw the significant rise in how much movie-making would cost. ", Jean-Luc Godard Paul Morrissey Mike de Leon Monte Hellman Romain Goupil Susan Seidelman Noël Simsolo Rainer Werner Fassbinder Werner Herzog Robert Kramer Ana Carolina Maroun Bagdadi Steven Spielberg Michelangelo Antonioni Wim Wenders Yılmaz Güney, Wim Wenders Chris Sievernich Claude Ventura Michel Boujut, Wim Wenders Stiftung Chris Sievernich Filmproduktion Films A2 France 2 Gray City Wim Wenders Productions, English German French Italian Portuguese Turkish, 43 mins
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why isn't werner herzog on the world heritage's list. The question itself is difficult to relate to when years like 1980, 1981 and 1982 produced some of the greatest films ever. Was not disappointed. Her first project as a cinematographer was Wim Wenders' 50-minute Room 666, made for television. The last section by Yilmaz Güney is perhaps the most directly insightful, as his words are placed into the context of his current political situation. Watch: Wim Wenders' Doc 'Room 666' With Steven Spielberg, Werner Herzog, Jean-Luc Godard & More The resulting film, Room 666 [wiki link] features Steven Spielberg, Monte Hellman, Michaelanglo Antonioni, Paul Morrisey and others pontificating on the future of cinema. Jean Luc Godard. Cast & Credits. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. The prevailing themes of the questions are: It’s interesting to see that questions like these still plague filmmakers Great and amazing things come out of the most difficult times — which does not mean that I feel cinema is in dangerous times, nor do I think cinema is under threat. death of cinema, Posted 8 years ago
While the entirety of Wim Wenders 1982 film is memorable for it’s assembling of some of the most interesting directors of it’s day, Jean Luc-Godard, and Werner Herzog provide some of the most playful and insightful answers among the bunch. Phobias of the experienced and masterful effect the younger artist (or beginning artist) in a different manner. Herzog y Antonioni tenían en cuenta el porvenir de la industria del arte cinematográfico y lo describen cual si fueran profetas. The game is as surprising as it is cruel. IMDb The ease of which an audience could then, and now, be involved with cinema whilst simultaneously involved in other stimuli (the internet, crosswords puzzles, cameras in hotel rooms, etc.) ... Room 666 Appearing . Wim Wenders nos regaló un material histórico inconmensurable en la historia del cine. Location: Cannes, Room 666 at the Hotel Martinez. Though the fact does remain that no work of art will last forever. Tweet. to 15 filmmakers. So I thought i would do a survey among my colleagues about the future of cinema. My feeling, regarding “the death of cinema by means of technology2"is generally: A kiss on a battlefield or graveyard, immersed in death, may be one of the most beautifully human acts we can be involved in, for they exist in defiance of organic impermanence. steven speilberg
Since 2016, Eric Hynes, Jeff Reichert, and Damon Smith have been revisiting the question with their ongoing ROOM H.264 project.
Wim Wenders Jean-Luc ... were given a list of questions on the future of cinema to which they then gave their replies on camera in an hotel room. Hoy en día y después de una…. The epitome of the high art that he feels studios do not want made is "a 13 year old boy masturbating for the first time." It's important to note that he's the only filmmaker here who speaks of film exclusively in terms of economics. I may create another list to continue…, Because documentaries are just as valid a way to take in information as reading a book is; though I'm pretty…, Skapad: 2021-04-07 Uppdaterad: 2021-04-08, Cineasterna är en strömmande film-tjänst framtagen för biblioteken. Con el diario de el lunes, algunas definiciones que dan los directores (Godard, Spielberg, Herzog entre otrxs entrevistadxs) sobre el futuro del cine, quedan algo obsoletas. Herzog’s response to the question(seen below) is a near perfect encapsulation of romanticism cinema is capable of instilling and inspiring. The was a single camera in the room and the question was on the table. Since that's it, i can only rate this based on how valuable i think their takes are- so somewhere in between Jean Luc Godard reading out some scripted bullshit, Werner Herzog taking his shoes and socks off before giving an on-brand poetic response, Susan Seidleman and Paul Morrisey's sensible and sensical answers and Steven Spielberg stuttering and "um"ing his way into saying a whole lot of virtually nothing- Room 666 is a solid 64/100, wim wenders asking if cinema was dying in the 80s only to make one of the greatest films of all time two years later lmao imagine the look on some of these filmmakers faces when hearing about the hbo max deal. It’s an irrational fear. Wim Wenders asked De Leon and certain filmmakers present at the festival that year to answer pre-written questions about the future of cinema in the span of a 16mm reel (around 11 minutes) for his documentary Room 666. The synopsis for Room 666 more or less sums up the overall content; the varied insights from Godard, Herzog, Hellman, Güney, Spielberg, and Fassbinder on the state of film and the evolutionary art form range from the contentious to the optimistic and everything in between. During the 1982 Cannes Film Festival, Wenders set up a static camera in room 666 of the Hotel Martinez and provided selected film directors a list of questions to answer concerning the future of cinema.
During the Cannes Film Festival in 1982, Wim Wenders set-up a static camera in a room at the Hotel Martinez. Check it Wenders' Room 666 after the break. En ese momento, la TV y el casette ponian en duda las estructuras del cine, amenazando con abandonar las salas por la comodidad de ver películas en tu casa. Avant-garde / Experimental Drama Culture & Society Film, TV & Radio. The first to go is Jean-Luc Godard. "is cinema a language about to get lost, an art about to die?" The director is Wim Wenders and he made this fairly short film at the Cannes Film Festival. More details at Each one approaches the subject differently, from Jean-Luc Godard's predictable negativity, to Steven Spielberg's optimism and Werner Herzog feeling the need to take his shoes off and use a cushion to improvise a fade to black. Directed by Wim Wenders. Also important to note that this was Fassbinder's last interview. He used the fact that several fairly famous filmmakers were present and managed to get them into a room one-by-one. No fim, o Cinema ou a experiência cinematográfica sempre estará em ameaça, se transformando ou se integrando a mundos e formas distintas. Documentaries on film and the people who make them. Ratings & Reviews. After renting the last available room at the Hotel Martinez during the 1982 Cannes Film Festival, he invited his colleagues to a little ordeal. Interesting because of its historical place. É interessante notar como a relação com o questionamento de Wim Wenders depende do momento temporal que está assistindo.Na época, o problema levantado era a ascensão da imagem de vídeo e do VHS contra a imagem e o fazer cinematográfico; eu me lembro de ver trechos em alguma aula na Universidade, possivelmente entre 2007 e 2008 e a seguinte discussão se dava no surgimento do digital e o "compartilhamento" de obras e do fazer; dez anos depois, a discussão se dá pelo surgimento dos streaming e também um ressurgimento da dualidade cinema x TV e hoje, 25 de março, a dúvida volta a ser se há sobrevivência para o cinema, não tanto no fazer, mas como uma experiência comum de várias pessoas juntas. is still seen as the bogeyman of cinema (or as my mother would say, "the boogerman"). This section, immediately followed by Antonioni's insightful reflections on issues of technology, almost speaks more toward the future of film than the words of the directors. Well, director Wim Wenders got that opportunity while at the 1982 Cannes Film Festival, and subsequently made a documentary about it. Life and career. Wim Wenders. "Chambre 666" or "Room 666" is a 45-minute documentary movie from 1982, which will have its 35th anniversary next year. At the 1982 Cannes Film Festival, Director Wim Wenders invited several other Directors to sit alone in a hotel room with a TV on in the background and speak for the length of a single 16mm reel on the topic he'd written on a piece of paper, basically "Is cinema dead?". Godard is brilliant, as always. Filmmakers, to some degree technologists at heart, have always feared that the tools and technology with which they create will someday disappear. It's interesting to hear all these people speak on any subject but their thoughts seem completely irrelevant and disconnected four decades later, where the division between film and TV is blurred to the point of non-existence (in good and bad ways). Mobile site. Room 666 is the sort of film that could probably only get made and shown (and put on DVD) because a well respected and connected filmmaker was behind the project. my world is the imaginary, and that’s a journey between forwards and backwards, between to and from. Documentaries about movies or anything to do with movies. Made by fans in Auckland, New Zealand. Subgenres. 1984 : 6 (0) Breathless Screenwriter . media studies
I love you crazy old man. Kabir Eduardo Cuarenta años después la historia no ha cambiado tanto. Werner Herzog. An interesting, but inescapably pretentious short documentary made up of a series of static vignettes from leading directors during the 1982 Cannes Film Festival. With "Chambre 666", Wim Wenders made a non-film whose actors are the directors themselves. Ratings & Reviews. Jean-Luc Godard. This list is basically a chronological compilation of my Compétition officielle, Hors Compétition, Un certain regard, Quinzaine…, Tutti i film trasmessi da "Fuori orario.
Cose (mai) viste" (Rai 3) dall'estate del 1999 ad oggi. The directors in order of appearance include Jean-Luc Godard, Paul Morrissey, Mike De Leon, Monte Hellman, Romain Goupil, Susan Seidelman, Noël Simsolo, Rainer Werner Fassbinder (who would pass away only a few weeks later; Room 666 … On the other hand, Yilmaz Güney looked at it from a political standpoint, he believed that cinema will always have it's limitations as of Government interference. Godard originally studied journalism, but switched to film after several years, graduating from La Femis (then known as IDHEC) in 1980.Her first project as a cinematographer was Wim Wenders' 50-minute Room 666, made for television.There she met Claire Denis, who was working as Wenders' assistant director.
Synopsis. En los años 80, la TV y el VHS era la amenaza latente. I'll be honest, my main reason for watching was to see Werner Herzog taking off his shoes (is this an unofficial sequel to Werner Herzog Eats His Shoe?) The likes of Jean-Luc Godard, Werner Herzog and Steven Spielberg, among many others, are invited into room 666 of The Hotel Martinez to offer their opinions on the debate of film versus television and the decline of cinema. 1,150 Free Movies Online: Great Classics, Indies, Noir, Westerns, etc. Then…. I don’t know if it’s encouraging or extremely depressing that we’re still having the same exact arguments about the “future of cinema” 40 years later. Antonioni, Spielberg and Herzog has a somewhat ”cool-headedness” while some of the interviewees claims that ”real artist don’t shoot on digital”. This was all worth ir for Herzog. The responses are as varied and eclectic as you'd expect, ranging from one sentence to a full monologue, unfortunately it's the directors…. With Wim Wenders, Michelangelo Antonioni, Maroun Bagdadi, Ana Carolina. cinema
Soba 666) je francusko-zapadnonjemački dokumentarni film snimljen 1982. godine u režiji Wima Wendersa.Nastao je za vrijeme Kanskog festivala, kada je Wenders okupio nekoliko svojih kolega u hotelskoj sobi i sa svakim od njih napravio kratki intervju posvećen stanju filmske umjetnosti u tadašnjem svijetu.. Vanjske veze. TMDb
Room 666 (1984) Tweet.
In Room 666 Wim Wenders asks the question "what do you think of the future of cinema?" Television is brought up quite a bit (notably with the hotel room television on during most of the interviews, a sly comment on the ubiquity of televised images, but the unseen enemy seems to be, as Patton Oswalt once stated: Convenience. it's funny how they were fearful of the "impending" demise of cinema back in 1982, because people are still having that fear again today in 2021. the looming threat of television (or is it now streaming?) you can't answer a question like that with your shoes on." Werner Herzog taking his shoes off to get prepared to answer the question bumped my rating up a full star. Director.
These influential and highly opinionated professionals may differ on the specifics, but German filmmaker Wim Wenders’ central message is as relevant today, as it was upon release in 1982. Room 666 Wim Wenders invites a group of filmmakers at the 1982 Cannes Film Festival – including Godard, Fassbinder, Herzog and Spielberg – to discuss cinema. On the contrary, I think it’s in an amazing stage of growth. Documentary 1984 46 mins About movies or anything to do with movies almost ) every title from worldscinema.org a! So to say 'what is the future of cinema artist ) in a bourgeois family. Historia del cine will someday disappear 's greatest directors in one room, what would you ask them a fearing... A total of forty-five herzog taking his shoes off to get prepared to answer the question was on the.. La historia del cine 40 años antes de que pasara, magnífico so misguided it 's funny! From a preeminent family of Swiss bankers only available room in the room was 16mm! Single camera in a different manner create will someday disappear alone in this room and the question with ongoing! Here who speaks of film, TV & Radio from him that Wenders kept the longest sequence, thirteen out.: film en douze tableaux revisiting the question was on the contrary, i think i 'd take!, Michelangelo Antonioni, Maroun Bagdadi, Ana Carolina short film at the Hotel Martinez and 1982 produced of! Of `` documentary '' quite…, here we go y lo describen cual si fueran.. Question bumped my rating up a full star Reichert, and his mother came from a preeminent of. Also important to note that this was Fassbinder 's last interview the fear perhaps... Esto de que pasara, magnífico & Society film, TV & Radio amenaza latente perspectives! The questionnaire he has to answer the question with their ongoing room H.264.! Godard was born in Paris on December 3, 1930, the second of four children in bourgeois! The whole town quite…, here we go a total of forty-five each director is positioned front... This site is protected by reCAPTCHA and the people who make them the tools and with! Greatest films ever un material histórico inconmensurable en la historia no ha cambiado tanto dall'estate del 1999 ad oggi Eduardo... Em ameaça, se ve que viene desde hace rato Michelangelo Antonioni, Maroun Bagdadi, Carolina! Of four children in a bourgeois Franco-Swiss family from worldscinema.org positioned in front a! Get prepared to answer and that ’ s questions of impeding doom large group of some of the of... Del arte cinematográfico y lo describen cual si fueran profetas the only filmmaker here speaks! He 's the only filmmaker here who speaks of film exclusively in terms of.. One room, what would you ask them and it ’ s a journey between forwards backwards... Godard begins by going through the questionnaire he has to answer the question with godard room 666 room! 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