On stage at the Lyric Belfast in 2002 she played Lady Macbeth in Prime Cut’s Production of ‘Macbeth’, with Stephen Scott in the title role and also that year had a medial role in Paul Greengrass’ acclaimed film ‘Bloody Sunday’. His health began to deteriorate around this time, having earlier been diagnosed with multiple sclerosis. An irregular association with the Tarragon Theatre yielded some decent performances in the early 90s. Taking the central role of Len in Edward Bond’s stark exposition of sexual profligacy, the much maligned and little revived ‘Saved’, presented at the Lyric Drama Studio in 1979. – Hippolytus(1968) Jane Street Theatre, Randwick, NSW, – As You Like It(1971) Parade Theatre, Kensington, NSW, – Housey(1972) Nimrod Street Theatre, Darlinghurst, NSW, – Hobson’s Choice(1975) Parade Theatre, Kensington, NSW In the early seventies he was offered intermittent television work with guest appearances in crime and action series icluding ‘Department S’ and ‘UFO’ both 1970 and ‘Softly Softly’ 1972. He was poet Louis Macneice in Christopher Bland’s ‘Easter Rising  and Thereafter’ at Jermyn Street Theatre, London in 2016 and an imposing  Frank Bryant in Willy Russell’s imperishable comedy drama ‘Educating Rita’, staged at the Queen’s Theatre, Hornchurch in 2017. At the end of the eighties she proved a deft scene stealer as Solveig’s mother in ‘Peer Gynt’, presented as part of the Shaw Festival and staged at the Courthouse Theatre in 1989. For Crowley in only her first year as a screen actor, this was a significant step, bringing her it would seem to the cusp of instant stardom. Stanley Townsend. Avuncular character actor, whose career although varied, has been somewhat stage driven down the years. – Kingpin (1985) She received good notices appearing as Leonora D’Este, in Goethe’s ‘Torquato Tasso’, a Glasgow Citizens production at the Royal Lyceum Theatre during the 1994 Edinburgh Festival and a year later was in Lurgan born Joseph Crilly’s ‘Shuttle’ at the Red Room London. Full Background Report. Stanley Townsend - Biography. She finally bowed out in another guest role, appearing as Joan Fisher in the police drama series ‘Softly Softly’ in 1976, ending what was seemingly an acting fling, but in truth Evin Crowley had more than sufficient ability to forge a name in a profession where good fortune often proves elusive. Opening at the Black Box in Hollywood, California in March, it ran to full-houses until September that same year. Further prime stage roles saw him in contemporary mode at the Young Vic as the cajoling Duke Of Albany opposite Pete Postlethwaite’s towering ‘ King Lear ‘ in 2008 and in 2009 as the philandering Jerry in Harold Pinter’s ‘ Betrayal ‘ at the Nuffield Theatre, Southampton. The play opened at the Tricycle Theatre, London in February 1986, before undertaking a short successful tour. From 2000 she has worked steadily in film, theatre and television with mixed success, she had a small part in the Colin Bateman comedy drama, ‘Wild About Harry’ 2000, which included Margaret D’Arcy, Eileen Pollock and Tara Lynne O’Neill all in minor roles. At the Lyric Theatre, Belfast a year later, she was a trifle self indulgent as the irrational Mary, in writer Shelagh Stevenson’s comedy ‘The Memory of Water’, in a cast featuring Stella McCusker and B.J. – Hot Pursuit (1987) Irish actors Orla Charlton and Stanley Townsend in 'Fair City' (2004) – Travelling North (1987) The best of these were arguably the fantasy horror ‘Plum’ in 2013, ‘When Life Keeps Getting in the Way’ and the unsparing feature ‘Mile Marker Seven’, both 2014. Search Stanley Townsend’s family members and ... (361) 729-7021 you wanted? – Seconds Out (1993) He then made ready for another tour, this time with the RSC , opening first at the RST in Stratford, in an enthusiastically offbeat version of ‘The Taming of the Shrew’. The most noteworthy of her late nineties efforts were director David Elfick’s television film ‘Never Tell Me Never’ and the above average crime drama series ‘Wildside’, both 1998. This preceded a higher profile appearance the same year, as assertive motor mechanic Kieran Branson in Julian Fellowes’ double Golden Globe winning television series ‘Downton Abbey’. Largely unsung and seasoned actor, who at one time was a potential leading man and whose efficacy was given an early test in writer Patrick Galvin’s televised play ‘Boy in the Smoke’ 1965, in which he starred as Paddy, a newly arrived Irish immigrant in London. – The Grass Cutter( 1990), TV On stage in 2007 he played Private Walter Morgan in Irwin Shaw’s anti-war narrative ‘Bury the Dead’, presented at Park La Brea, Hollywood and directed by Anthony Di Pietro. There are candles and dishes of food on the table. In common with many Ulster born actors of his generation, Colum Convey had no difficulty finding work on the troubles infused production line, a reluctant if dependent participant, whose undoubted ability perhaps deserved a little more. She registered two assertive credits in theatre in 1978, the first as fading courtesan Prudence Duvernoy in Tennessee William’s perplexing drama ‘Camino Real’ at the NAC in Ottowa and at the end of that year, as the strait-laced governess Miss Prism in ‘The Importance of Being Earnest’, at the Alley Theatre, Houston, Texas. In 2021 she was cast as Clare Keenan, wife of ex IRA man Pat Keenan played by Peter Ballance, in writer Chris Brandon’s N, Ireland set crime thriller ‘Bloodlands’, starring James Nesbitt as woebegone DCI Tom Brannick. Essanay teamed them again in three quality dramas during 1917, including the socially aware ‘The Saint’s Adventure’ and following their starring roles in director Rex Ingram’s crime drama ‘Robe of Honor’ in early 1918, the couple were married. On screen in 2012 there was little improvement, with a subsidiary cameo as farmer, Thomas Benger in the television film ‘The Suspicions of Mr Whicher’. He returned to the Irish Repertory Theatre in 2014, in another Conor McPherson work, this time the masterful three- hander ‘Port Authority’, ably supported by Peter Maloney and James Russell. – The Girl With the Roses (1999) Bloomsbury Theatre, London. Sterling work in three standard plays in 2010, one a major reconfiguration, involved yet a further European tour with Cheek by Jowl. While there he joined Dublin University Players, the college's Amateur Dramatic Society. Between 2008/09 she enjoyed a relative period of work both in theatre and on-screen. Another ancillary credit as ‘Liverpool’, in the premiere of Martin Lynch’s hunger strike themed ‘Minstrel Boys’ in November, preceded his percipient portrayal of the politically aware teenager Tommy, opposite Michelle Fairley in Christina Reid’s new work ‘Joyriders’. During the 80’s and 90’s  he experienced few television highlights worthy of mention, consisting of only a handful of subsidiary roles, although he did enjoy a solid cameo as Inspector Howard Rennie in the 1982 Belfast set television drama, ‘Harry’s Game’. In early May of that year he returned home and was part of a large cast assembled for the opening production at the newly built Lyric Theatre, joining Patrick O’Kane and Ruairi Conaghan in director Conall Morrison’s pithy adaptation of Arthur Miller’s trenchant allegory, ‘The Crucible’. Stanley Townsend, counsel for the applicant, briefly addressed Council. Cast as ethical Trojan Hector, he played opposite Richard Cant in dual roles as Thersites/Calchas and Lucy Briggs-Owen as the vain and fickle Cressida. His first television appearance came a year later when he played Blackbeard in the opening episode of the pirate adventure series ‘The Buccaneers’, starring Robert Shaw and in 1958 appeared at the Palace Theatre in his first West End show, playing Jack Chesney, friend and room mate of Norman Wisdom in Frank Loesser’s long running comedy, ‘Where’s Charlie’. Notable among his stage appearances in the late eighties were dual roles in the premieres of Christina Reid’s ‘Did You Hear the One About the Irishman’ at the King’s Head Theatre, London in 1987 and as Sean in Kevin Fegan’s verse play ‘McAlpine’s Fusilier’, at the Contact Theatre, Manchester in 1988. Further work with the Irish Repertory Theatre in 2016 brought him favourable notices, playing therapist Ian, opposite Matthew Broderick in an excellent revival of  Conor McPherson’s haunting drama, ‘Shining City’. Unfazed and seasoned character actor, who made early appearances on the Dublin stage from the late eighties, most notably as the disillusioned Maire in the Joe Dowling directed ‘Translations’, Brian Friel’s celebrated tragicomedy, presented at the Gaiety Theatre in April 1988. Her feature film debut in 1981 was unremarkable, a supplemental role in director Alvin Rakoff’s asinine comedy ‘Dirty Tricks’, in a cast headed by Elliott Gould and Kate Jackson. With the exeption of three theatre sabbaticals, his screen projects from 2008 have been predominately focussed on the west coast underground scene, where budgets of 500,000 dollars are regarded as fanciful. Genial actor/dancer/singer, who was with Belfast’s Phase Dance Company for three years from 1982, before joining The Ulster Youth Theatre, where, during his two year stay was in four productions, including ‘Grease’ and ‘The Boyfriend’. Yeats and as a Lady-in Waiting in ‘The Tragedy of King Richard’, both 1967. 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